Getting Started in Jewelry Making

Someone asked me recently if I had any recommendations for books, classes or schools that would be helpful for someone getting started making jewelry, so I thought I’d write up a post with some of my favorites! And it was a good excuse to snap some quick photos of the new studio. I absolutely did not photograph the messy side that I haven’t finished unpacking yet… So more on that soon. But for now - here is a bit about how I got started making jewelry, and some recommendations for classes + books that have helped along the way. Also, check out my interviews with Shana Ready of The Ropes, Polly Wales + Gretchen Jones for more tips on getting started as a designer.

 my beat up work table in the new studio! I found the table on craiglist, it had been used in an old garage for years.

my beat up work table in the new studio! I found the table on craiglist, it had been used in an old garage for years.



If you’re interested in making jewelry, I definitely recommend taking a class. Most community colleges and community art centers offer some kind of jewelry course. It’s worth it to take one or several. In person instruction is really crucial for getting started, especially when it comes to learning how to safely operate torches and work with hand and rotary tools. Once you have a lot of the basics down, online tutorials and books can come in handy as supplemental resources. There are countless videos on YouTube on a variety of topics, and I’ve definitely utilized some of them when trying to learn new techniques. 

I started making jewelry as a kid, mostly of the fiber, beaded, and fimo clay variety, and loved it! (My mom still has some ancient fimo creations somewhere to prove it.) When I got to high school there was a jewelry making class, and it was then I started learning how to form metal. I also took a few classes at the nearby Heartwood College of Art, and then my high school art teacher set up an apprenticeship for me with local jewelry designers. I got high school credit during the school year, and then helped them out in the shop for a few summers. Through classes and the apprenticeship, I got tons of hands on experience, and became really comfortable with all of the tools and torches. 

I left Maine to go to art school at the School of the Art Institute of Chicago. Once I got there, I found that I really wanted to learn how to use new materials and work on a much larger scale, so I focused on sculpture and ceramics. Also, the jewelry and light metals department at SAIC was all but nonexistent. So, after the first year, I brought my all of my jewelry tools out to Chicago, and continued to make small pieces for myself and friends at home. After school finished up, I moved to Philadelphia, I worked briefly as a bench jewelry for a large jewelry company there. They taught me how to work with gold, as all of their pieces were primarily 18k gold and pave. The shop was very impressive – I got to see a laser welder in action for the first time, and they had separate, well-venhilated room for polishing. I didn’t stay there for very long (I moved back to Chicago), but it was exciting to see and work in a really well-laid out workshop. Back in Chicago, I worked for another jewelry designer for a number of years. I learned invaluable business experience from that position and saw first hand the ups and downs of running your own business. I had done a lot of larger, sculptural casting in art school, but I’d never done any jewelry casting, so I signed up for a casting class at Lillstreet Art Center in Chicago so that I could learn how to carve my own waxes. They have a great metals department and I recommend starting with any of their jewelry classes. They also have shared studio spaces – and I had a space there for a while. It’s a great space to work in if you’re just getting started. Most shared studio spaces are, since jewelry tools are so expensive, and you need so many different kind. It can be really helpful to be part of a shared space while you build up your own tool collection. 

 my wooden tool box, where I keep hammers and mandrels, in the new studio. Found the tool box at the Savers in ABQ, and the other tools have mostly all come from Rio Grande over the years.

my wooden tool box, where I keep hammers and mandrels, in the new studio. Found the tool box at the Savers in ABQ, and the other tools have mostly all come from Rio Grande over the years.

Here in New Mexico, there are also a lot of resources for metalsmiths. At Rio Grande in Albuquerque, you can take metalsmithing classes of all kinds. They are also a great supplier for students and jewelers alike. You can get a student account with them and don’t need a business license or tax id number to buy from them, as is the case with a lot of jewelry suppliers who only work with other businesses. I haven’t taken classes with them, but I’ve been getting supplies and tools from them since I was a teenager. 

Another resource is Meltdown Studio, which has locations in Albuquerque and in Santa Fe. They offer light metals classes and bench rentals. And even Georgia O’Keefe’s Ghost Ranch out in Abiqui offers seasonal jewelry making workshops. 

the complete metalsmith - rebecca mir grady



The jewelry designers that I apprenticed with in high school gave me a copy of Tim McCreight’s The Complete Metalsmith which I still have and use today. It’s a great intro to metalsmithing, with lots of great information about tools, soldering and forming techniques, stone setting tips, and lots of useful charts in the back. While I don’t look through the book as much for help with technique and tools references, there are a bunch of helpful conversion charts in the back that I find myself referencing often. Hands down, it’s my most-used jewelry book. As a teenager, I spent a lot of time in the section on stones, reading about the different properties of each stone, learning their hardness and the superstitions behind them!

Here are some of my favorites (quoted from McCreight’s The Complete Metalsmith p. 107-116):


Beryl, hardness 7.5-8, This stone occurs in a wide color range including pink, orange, yellow, green, blue-green, and blue. It is also found colorless. This resembles rock crystal and was used for lenses and crystal balls. Pink Beryl is known as morganite, after the banker and gem collector J.P. Morgan. This stone is said to protect the wearer from helplessness caused by fascination. It was also used to treat diseases of the eye, jaundice and liver disease.


Diamond, hardness 10, From the Greek “adamas,” unbreakable, indomitable. Diamonds were believed to render all poisons harmless and to drive away madness, night spirits and evil dreams.


Moonstone, hardness 6-6.5, A feldspar of orthoclase with thin layers of albite. This yields a play of light called adularescence as light is spread by the fine particles or layers. The effect is a cool frosty glow that accounts for the name of this gem. Occurs in white, gray, pink, green, blue, chocolate, and an almost clear variety that looks like a water droplet. When work around the neck, moonstone protects against epilepsy and sunstroke. It is used to treat headaches and nosebleeds. When hung on fruit trees it produces abundant crops and generally assists all vegetation. 


McCreight used to teach at Maine College of Art, and has a number of other books that are really interesting. I find his book on boxes and lockets really interesting, and his casting book very helpful. 

jewelry making books - rebecca mir grady

Somewhere, I stumbled upon Anastasia Young’s books, and have referenced them a lot in recent years. Her Workbench Guide to Jewelry Techniques is a great compendium of different ways of working with metal, and her book Gemstone Settings is a really helpful guide to setting different types of stones in all shapes and sizes. Also the photos of some of the jewelry in the books are just so fun to look at! I also recommend checking out Anastasia Young’s own work – her pieces are so beautiful and interesting! She’s based in London and currently teaches jewelry making courses at Morley College and Central St. Martins


Another fairly recent addition to my jewelry book library is a helpful business focused guide by Emilie Shapiro called How to Create Your Own Jewelry Line (she also has a book on wax carving). She talks about how to start a business, think about design, source materials, handle marketing and finance, and lots more. By the time it came out, I’d already learned a lot about the business from working in jewelry for many years, and from starting my own company, but there were still lots of really useful things in the book for me. For instance tips on creating master production forms and spec sheets were really helpful organizing ideas. I also really hate cutting the white background out of product photos, and she lists a few places online where you can outsource this, so I totally went for it, and it’s really made getting a new collection ready for release much easier. So thanks Emilie! Also be sure to check out her jewelry as well - it’s super cool!

Interviews, Books, Resources and Spaces to check out:

Gretchen Jones Shares Tips for Emerging Designers - my interview from with Gretchen Jones about getting started, also be sure to check out what she’s doing now on her website and instagram.

3 Tips to Succeed in Jewelry Design from Shana Ready of The Ropes - my interview with Shana Ready (from my hometown!!!) about her jewelry line, and career.

Polly Wales Rings Master Artful Elegance - my interview with Polly Wales about her jewelry designs and background in sculpture.

The Ethical Metalsmiths - great organization of jewelers committed to social and environmental responsibility.

Brooklyn Metal Works - jewelry classes in Brooklyn, also studio space

WJA - Women’s Jewelry Association, a national association of women in the jewelry business

Haystack Mountain School of Crafts - seasonal classes in Deer Isle, Maine

Arrowmont School of Crafts - classes in Gatlinburg, Tennessee

Penland School of Crafts - classes in Penland, North Carolina

Ganoskin - online jewelry resources and forums

Creative Stone Setting - stone setting resource by John Cogswell

Professional Jewelry Making - jewelry making book by Alan Revere

7000 Years of Jewelry - really fun jewelry history book by Hugh Tait

P.S. thanks to Tim McCreight, Anastasia Young, Pam Robinson, Sarah McGuire, Deborah Robinson, Judith and Elizabeth Gilday and all the other teachers I’ve had along the way!





Moving Day

When we moved to Santa Fe from Chicago, we found a place and signed a lease remotely, working entirely from a few pictures, google maps street view, and an iPhone FaceTime walkthrough of the space. We knew it was near Tune Up Cafe, Sonia’s and now my favorite cafe, that it was about 1000 sq. feet, and that the bathtub looked insane.

Rebecca Mir Grady - Santa Fe Style Bath

When we arrived, it didn’t disappoint. It is an old adobe house, with lots of blue patterned tile in the bathroom and kitchen, wood floors, and saltillo tile. It even has vigas in most of the rooms. Though I should mention that I didn’t know what those were before we moved here. (Vigas are the rough hewn rafters in adobe houses.)

Rebecca Mir Grady - Santa Fe Style Vigas and Skylight

The house was full of built in nooks, perfect for books and momentos. In short, it’s full of Santa Fe charm.

Rebecca Mir Grady - Santa Fe Adobe Style Nooks

We loved living here. It was a great place to start off our time in New Mexico. And let’s be real, since we moved across country with almost no furniture, all these built in bookshelves were so very much needed!

Rebecca Mir Grady - Santa Fe Style Adobe bookshelf

But it’s an old adobe house, and was full of quirks and challenges. The wonderful bathtub, that I’d been dreaming about taking beautiful baths in from when we signed the lease, was pretty old, and had a not standard sized drain, and therefore no plug. So we rigged up a system with a rubber stopper and a rock, and this worked most of the time. All of the doors were different heights and widths, and tall people had a hard time walking through the house unscathed. I have also learned not to swing my arm too close to any of the walls as these rough textured walls are excellent at skinning knuckles. And the floors were all uneven, our dining table angled distinctly downhill, and if you placed an egg on it, it would roll right off.

Santa Fe Christmas Style Kiva Fireplace - Rebecca Mir Grady

Our kiva fireplace was a lot of fun, especially around the holidays. But it didn’t really give out much heat, so after our first New Mexico Christmas we ended up using it for candles instead. It was an excellent place to display my friend Elizabeth Kelley’s painting of my favorite rocky Maine coast, and made a good shadow catcher when my friend Marian came to town.

Santa Fe Style - Adobe Kiva Fireplace - Rebecca Mir Grady

But after almost a year, we decided that we wanted a different space, and so we’re packing up again and moving across town. This move is so much easier, the drive between houses is only a couple of minutes this time. And we’re now in a very different space, quite the opposite of our first Santa Fe place. I’ll share more about the new place once we’re settled in, but one thing I will say is that it doesn’t have a bath tub. So farewell to this quirky house with it’s insane bathtub and thanks for welcoming us to Santa Fe!

Santa Fe Style Adobe Tile Bathtub
Santa Fe Adobe Style